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From the cradle to the tomb, Lopez was always in the right place at the right time.
But good timing will only get you so far – it’s talent and bravery, which he possessed in abundance, that keeps you there.
One of the most thrilling parts of the documentary looks at the rivalry between Lagerfeld and the other designer darling of the time, Yves Saint Laurent.
“There was the Lagerfeld clique and the Yves clique, and you had to be careful, as they didn’t like you crossing over,” Colacello says.
“You had to watch him as he was drawing,” Cunningham explains.
“He was breathing like he was pulling the magic right out of the atmosphere.” Besides his hypnotising drawing method, which consisted of gasping, holding his breath, huffing and puffing, he was a magnet, drawing in lovers and collaborators alike with his voracious appetite for life.
Using resources like archive footage, photographs and animated iterations of Lopez’ iconic drawings, the film paints a loving portrait of a soul sorely missed, and an exciting time long gone by.
I find that very exciting.”In fact, it was Lopez and Juan’s diverse idea of beauty that led them to Paris.
They felt the latent racism of New York’s fashion industry, which favoured the Cheryl Teigs "girl-next-door" aesthetic and withheld opportunities from black models, was inhibiting their work, and upped sticks to France, where they immediately fell in with Karl Lagerfeld, who was heading up Chloé at the time.
, a film by director James Crump, is an intimate and vivid look at the most influential fashion illustrator of the 1970s, Antonio Lopez.
Charting the development of his talent and extraordinary group of friends and lovers, the documentary is a far more emotive and dazzling look at the fashion world than its more controlled – and sometimes dull – predecessors.
Lopez drew comparisons with Andy Warhol – perhaps the best-known artist and social butterfly of the ‘70s – who hung out alongside him at infamous nightclub-cum-restaurant Max’s Kansas City.