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Her collection of semiabstract works displayed at the Guggenheim was inspired by “a multitude of sources, including historical photographs, urban planning grids, modern art, and graffiti, and explores the intersections of power, history, dystopia, and the built environment, along with their impact on the formation of personal and communal identities.” I have my fingers crossed this will be the first Ethiopian film that will win the Oscars.
But either way, the story of Abebe Bekila – the barefooted Ethiopian man who stunned the world by winning Olympic gold in Marathon at the 1960 games in Rome – is one to be told and in this regard the movie is doing a superb job.
Her latest oeuvre is an arty online video directed by Jennifer Elster, which features Debra Winger, Terrence Howard, Rufus Wainwright, Yoko Ono, and other actors and artists trudging through empty woodlands and wondering aloud things like, “What do we want? ” Titled In the Woods, the film will be released in small segments on Elsner’s website, ” You can watch the clip here. Dinaw Mengestu’s ‘How To Read The Air’ notes, the young writer – who was born in Addis Ababa, Ethiopia – populates his novels “by exiles, refugees, émigrés and children of the African diaspora…” This book, of course, goes far beyond the Ethiopian American experience, even though Dinaw does extremely well in this regard as well.
) – As we wrap up the year and review the contributions in the area of literature, fine arts, film, music and enterprunership, I can’t help but notice that it has been a year of rejuvenation for arts and popular culture among the Ethiopian Diaspora — from the publication of Dinaw Mengestu’s , this year was packed with big achievements and new beginnings. As he put it succinctly during a recent interview, “It’s less about trying to figure out how you occupy these two cultural or racial boundaries and more about what it’s like when you are not particularly attached to either of these two communities.” The new book follows the author’s highly successful début novel I couldn’t help but lose and find myself in each of Julie’s Mehretu’s paintings at the Guggenheim Museum earlier this year.
She was raised by her parents, but never both at the same time: Her father walked out while her mother was pregnant, and didn’t return for six years.
When he reappeared, her mother promptly abandoned her, and after that the narrator grew up in her father’s basement apartment.
“Steve Harvey couldn’t believe what was happening on the Little Big Shots stage when Ethiopian duo, The Kiriku Brothers, brought their high-flying act to the show,” Yahoo News enthused.
“The kids, apparently, met at circus camp, as kids do, and practice their routine for four hours every day.
At all other times, I prepared myself for his inevitable departure, after which there would be no more parents: I would be alone.” Read more » — Join the conversation on Twitter and Facebook.
Ethiopian-American writer Maaza Mengiste is the author of Beneath the Lion's Gaze and winner of the 2018 NEA Fellowship.
Maaza is also a contributor in the newly released collection of essays edited by the Pulitzer-winning novelist Viet Thanh Nguyen -- himself a Vietnamese refugee to America.
The New York Times The Mysterious ‘Parking Lot Attendant’ at the Center of a Web of Intrigue At the start of Nafkote Tamirat’s debut novel, “The Parking Lot Attendant,” the narrator — a 17-year-old girl who is never named — has recently arrived with her father on the remote subtropical island of B—, where they’ve found uneasy refuge in a commune.
They’ve fled some unspecified trouble in Boston, but the trouble seems to have followed them. She’s miserable and ill at ease, which seems reasonable under the circumstances.
The commune’s managerial arrangements can only be described as sinister.